We can provide a variety of systems to suit different requirements:
SWR & Carvin bass amplifiers, combos and bass cabinets are also available. Click here for details.
These type of events usually only require a small-scale system for audiences of up to about 100 people. We can provide a handheld wireless microphone (or with a stand if required), a wireless tie-clip microphone, or wired microphones (with stands). For example, for speeches at a "wedding breakfast", a handheld wireless microphone which can be handed from person to person is usually a good option. A presentation may be best suited to a wireless tie-clip microphone and a meeting may require one or more microphones on stands with a roving handheld wireless microphone for taking questions from the audience.
Acoustic duos or bands usually require more comprehensive facilities, but with systems sized to suite the venue. Full details of what we have available are listed further down the page.
View a summary of system options and costs in pdf format here, or we can provide a quote for your specific requirements.
What size system do you need? How loud do you need the system and how large is the venue? As a guide, the following table shows the amplifier power required to achieve 100dB and 94dB at various distances, based on PA speakers with a typical sensitivity rated at 100dB for 1W @ 1m. There is more specific information in the Systems section below.
Power | 100dB | 94dB | Max O/P at 1m |
---|---|---|---|
100W | 10.0m | 20.0m | 120.0dB |
300W | 17.3m | 34.6m | 124.8dB |
600W | 24.5m | 48.9m | 127.8dB |
1000W | 31.6m | 63.1m | 130.0dB |
The "dB" figures refer to the Sound Pressure Level (SPL) - see the Technical section for more information on this topic. The figure of 100dB (SPL) is often quoted for loud rock music or if you were standing 2m from a pneumatic drill. Note that at twice the distance there is a 6dB reduction in output (i.e. from 100dB to 94dB). Note also that doubling the amplifier power increases the Max O/P by 3dB and increasing the amplifier power by 10x increases the Max O/P by 10dB.
Microphone | Application | No. | Hire (each) |
---|---|---|---|
Behringer C-2 | matched pair | 2 | £5.00 |
Sennheiser E606 | Guitar Cab | 1 | £5.00 |
Superlux PRA628 Mk II | Guitar Cab | 1 | £5.00 |
Shure SM58 | Vocal | 3 | £5.00 |
Superlux PRA D1 | Vocal | 1 | £5.00 |
Wireless Handheld | Vocal (speeches, meetings) | 1 | £5.00 |
Wireless Tieclip | Vocal (presentations) | 1 | £5.00 |
Beyer Dynamic Opus 67 | Drums* | 4 | £5.00 |
Beyer Dynamic M380 | Kick Drum* | 1 | £5.00 |
Superlux Hi10 | Hi-Hats* | 1 | £5.00 |
Røde NT1A | Drum Overhead* | 1 | £5.00 |
Drum mic set* (inc. stands) | Toms, Snare, Kick, Hi-Hat, Overhead | 1 | £35.00 |
RCF speakers are regarded as the industry standard. Their sound quality is second to none. Hire charges for speakers include relevant mains leads (all PAT tested) and a 10m XLR(m) - XLR(f) cable per speaker. Longer cables can be provided if requested.
The following items are provided as required.
Item |
---|
Mains Distribution with RCD and MCB protection |
16in/4out stage box with 30m multicore |
Speaker Stands / poles |
Mic Stands |
DI boxes |
XLR cables (Neutrik connectors) |
This basic system, is aimed at meetings or presentations where a microphone is required in order for the audience to hear clearly. Each speaker can provide up to 350W RMS - more than enough to fill a small pub or club with a typical audience size of up to 100. Here, the ART310A has the input sensitivity set to the "Mic" position, and the supplied microphone is plugged directly into the rear panel of the speaker. The configuration shown below (with 2x ART310A speakers) can be hired for £55.00. The same system with only one ART310A can be hired for £30.00.
The configuration above can be hired for £45.00. The same system with only one ART310A can be hired for £25.00.
View a summary of System Options and costs in pdf format here.
This system, although small, packs quite a punch. Each speaker can provide up to 350W RMS - more than enough to fill a small pub or club with a typical audience size of up to 100. This system can easily provide listening levels for a room 40m x 20m of approximately 96dB at 20m from the stage and 92dB at the back of the room (allowing 6dB of "headroom"). Ideally suited to duo's or solo artists or even small bands. Electro-acoustic guitars can plug straight into the mic channels. Keyboards can plug straight into one of the stereo channels. The configuration shown below can be hired for £70.00 plus £30.00 for a Sound Engineer to set-up and operate the system.
The configuration above can be hired for £60.00 plus
£30.00 for a Sound Engineer to set-up and operate the system.
View a summary of System Options and costs in pdf format here.
View an example calculation of sound levels achievable with this system here.
With this system, each speaker can provide up to 750W RMS - more than enough to fill a pub or club with a typical audience size of up to 300. This system can easily provide listening levels for a room 60m x 20m of approximately 100dB at 20m from the stage and 91dB at the back of the room (allowing 6dB of "headroom"). Still utilising the smaller mixer, this is suited to duo's or solo artists or even small bands in larger venues. Electro-acoustic guitars can plug straight into the mic channels. Keyboards can plug straight into one of the stereo channels. The small mixer is quite capable of controlling a pair of RCF ART310A speakers as floor monitors (via the Aux send).
The Medium System can be hired for £120.00 plus £35.00 for a Sound Engineer to set-up and operate the system.
View an example calculation of sound levels achievable with this system here.
View a summary of System Options and costs in pdf format here.
With this system, each speaker can provide up to 750W RMS - more than enough to fill a pub or club with a typical audience size of up to 300. This system can easily provide listening levels for a room 60m x 20m of approximately 100dB at 20m from the stage and 91dB at the back of the room (allowing 6dB of "headroom"). The Behringer UB2442FX-Pro mixer provides 10 mic channels, 4 stereo channels, and digital FX. The 1000W RMS sub-woofer is essential for a kick drum with punch. The configuration shown below can be hired for £205.00 plus £40.00 for a Sound Engineer to set-up and operate the system.
The configuration above (including 2 floor monitors) can be hired for £190.00
plus £40.00 for a Sound Engineer to set-up and operate the system.
View a summary of System Options and costs in pdf format here.
View an example calculation of sound levels achievable with this system here.
With this system, each speaker can provide up to 750W RMS - more than enough to fill a pub or club with a typical audience size of up to 300. This system can easily provide listening levels for a room 60m x 20m of approximately 100dB at 20m from the stage and 91dB at the back of the room (allowing 6dB of "headroom"). The 1000W RMS sub-woofer is essential for a kick drum with punch. The configuration shown below can be hired for £250.00 plus £45.00 for a Sound Engineer to set-up and operate the system.
The configuration above (including 2 floor monitors) can be hired for £235.00
plus £45.00 for a Sound Engineer to set-up and operate the system.
View a summary of System Options and costs in pdf format here.
View an example calculation of sound levels achievable with this system here. Note that the contribution due to the sub-woofer is ignored in this calculation, as the low frequencies provided by this are perceived differently. These calculations also ignore any contribution from any on-stage amplifiers, which will, of course, add to the overall SPL.
Learn more about Sound Pressure Levels and how to calculate them here.
© Cumbria PA Systems
Page updated 07/09/18